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ABOUT CASSAVA FILMS
Cassava Films is a West Hollywood-based independent film production company that was founded in
early 1997 to produce a feature called Foreign Correspondents, which was completed in 1999.
The second feature produced under the Cassava Films banner was the thriller Claustrophobia,
filmed in 2002 and released in 2004 (under the title Serial Slayer in some countries).
Cassava Films is a one-man operation. That man is me, Mark Tapio Kines. I wrote and
directed both of the aforementioned films, as well as the award-winning 2006 short The Closest
Thing to Time Travel and other work. Not only that, but I am the sole designer and programmer
for this here site. I set up cassavafilms.com as an "umbrella site" for my various projects,
including all the films I hope to make in the future.
The name Cassava ("kah-SAH-vah") comes from the cassava tree, the starchy root
of which is not only a staple food for Africans and Southeast Asians, but is also the source of
tapioca, the gelatinous seed made popular in American puddings and Taiwanese "boba"
milkshakes. Tapioca, Tapio... Get it?
I don't have any real philosophy for what Cassava Films is about. Basically I just want to make
good, entertaining films, with strong characters and interesting storylines, for as little money
as possible.
ABOUT MARK TAPIO KINES
I won't give you a boring autobiography, but I will mention a few pertinent facts, as some
articles on this site reference them. I grew up in Cupertino, California, in the heart of Silicon
Valley. In 1989 I came down to Southern California to go to CalArts, where I got my BFA in film,
with an emphasis on experimental animation. After graduating in 1992, I moved into the city of Los
Angeles and made a living for myself as a graphic designer. For seven years I worked in the
Internet industry designing web sites. Nearly four of those years were at Paramount Pictures in
Hollywood, where I was the art director for the Star Trek site, among others.
In April 2002 I quit my day job to pursue filmmaking, screenwriting, traveling, and just living my
life. Thus far it's been a success, and I get enough freelance jobs as a writer, art director, or
designer to pay the bills. In 2005 I married my girlfriend Miki and we live happily together with
our cat Cricket.
ABOUT THIS WEB SITE
The Updates section
is an online report, updated every so often, where I share news of the status of my various
projects as well as tales of my adventures as a filmmaker. It is not a blog. It is focused on my
professional life, though it does contain some personal asides.
The Films section is
all about the films themselves. As I already made a large, stand-alone web site for my first film Foreign Correspondents
("ForCor"), there's not much here about it. But you will find a substantial area dedicated
to Claustrophobia on this site, as well as the short films I've been making over the last
few years and any other future projects.
The List of 9 is
something I've been writing twice a month since late 1997, where I provide trivia tidbits about my
work, movies in general, and stuff even more random than that. It was conceived as a "Top 10"
list, but as I was designing its original page on forcor.com,
the photo I used at the top of the page - that of me with some cast and crew from Foreign
Correspondents - only had nine people in it, so I figured I'd just list nine items to match
the photo.
The Reviews section
is a collection of my own reviews of other films. I felt it would be interesting to offer the
public film criticism actually written by a filmmaker, instead of the usual unqualified bozo. The
only rule I adhere to is that I only write reviews for current releases that I actually see in a
cinema. If I tried to review every movie I ever saw, I'd be at my computer forever.
The Contact page will tell you how to reach me, if you so desire. If
you want to email me, you'll have to go to that page and then type in the email address you see on
the graphic.
Thanks for reading. I hope you enjoy your stay here at cassavafilms.com, or wherever your final
destination may be.
- Mark Tapio Kines
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